New Year, New Blog

Happy start of the school year, folks! We just wanted to keep you updated with some of the organizational shifts at the Gund Gallery.

Our social media branch combined with the video/media group to create the Digital Outreach team. We’ll be working together to cover the Gallery’s social media accounts and blog, as well as interviews, discussions, and video essays of visiting artists and curators.

We’re so excited to be the leaders of this new collaborative effort. Here’s a little bit about us:

Amy is a senior English major, Art History minor from Dublin, Ohio. This is her second year working at Gund Gallery. She also is a tour guide and Admissions Fellow. After graduation, she will be working as a Communications Specialist at Cardinal Health.

Henry is a senior Studio Art and Russian double major, Art History minor from Phoenix, Arizona. This is his fourth year working at Gund Gallery. He is also a Russian AT and contributes to the cartoon section of The Collegian. After graduation, he plans to work with digital media and illustration.

A sneak peek of what’s to come on this blog includes:

  • Travel posts from Gund Gallery associates
  • Behind-the-scene looks at installations and exhibitions
  • In-depth interviews with artists and curators
  • Cool highlights of current events at museums around the world
  • Etc. etc.

Be sure to check the blog weekly for new posts!

Amy Shirer ’18
Henry Uhrik ’18

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Museum Trends: Museum Apps

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A screenshot of the Louvre app, available for both iPhone and Android

For decades now, museums have listed phone numbers on wall labels that guests can call for more information about select works of art. Special audio guides have also been standard for quite some time. However, more recently, certain museums are launching their own apps, which provide GPA maps and other visitor information, as well as stunning pictures of the artworks with detailed written descriptions.

The Louvre’s app highlights over 100 of the museum’s masterpieces, including the Mona Lisa. The app offers close-up photographs of details, as well as text. A map of the Louvre shows where each work is located in the museum, making it easy to find the most famous pieces. Other apps, like the one for the Uffizi Gallery in Florence, takes downloaders on a virtual tour. The app for the Museum of Modern Art in New York goes so far to include audio and video podcasts.

Apps allow visitors to have a more unique museum experience, and also allow people to “visit” the museum without having to travel.

For more information, please visit: https://www.thebalance.com/top-fine-art-museum-apps-1296025.

Amy Shirer ’18

 

 

 

Gund Gallery Student Showcase: “Self-Portrait” by Emma Brown

Emma Brown is a Studio Art Major from Slippery Rock, Pennsylvania. Her piece, Self-Portrait,  is currently on view at the Gund Gallery.

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What is Self-Portrait?

Emma’s piece is, in her own words, “painted on a Japanese-style folding screen with a number of scenes from my life and from events that influenced me.” She put a lot of thought into theming these moments.

As she explained to me,

“the first panel chronologically takes place on June 23rd, 2004. All of my panels were inspired by journal entries. So on one side of the panel, you hear about and see the charming things I did as an eight-year-old in 2004. The opposing side of the panel is a scene from the Iraq war, which was also taking place at that time, in 2004. In doing that, I just wanted to juxtapose the path of my own life and growth and development with events that were going on in the world and how I gradually became more involved and interested in, basically, international life…affairs…the fate of the planet.”

The Medium:

The silk-screen medium is unique. Brown chose it deliberately, to express her background. “I am half Japanese. The medium I chose was just very symbolic because oil on canvas is a typical, European, art form, and the folding screen or byōbu is an iconic Japanese art form.”

Artists Who Influenced Brown’s Work:

Brown took inspiration from the atmosphere and painting style of Hayao Miyazaki movies, as well as the work of Maira Kalman, an illustrator who draws magazine covers and illustrated narratives. both of these artists, “do a lot of visual art which is interspersed with text,” a style which occurs in Self-Portrait as well.

Maira Kalman - The Impossibility of February

The image above is from one of Kalman’s illustrations that was published in the New York Times.

Inspiring Professors:

According to Brown, “This piece was half-painting and half-sculpture so, besides my comps advisor Reed Baldwin, I also got advice from Sandra Lee, the sculpture professor, and from Craig Hill, who I took painting with.” Brown also worked with “Ellen Sheffield, who is the bookmaking professor, because [she] made, essentially, a very large book.”’

Lastly, Brown gave one piece of advice to current Studio Art Majors who might be nervous about comps: “Start daydreaming about it, like now. That’s what it comes out of. Dream big.”

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Favorite Contemporary Artist: Charles Traub

Charles H. Traub is an American photographer from Louisville, KY. In the 1980s, he traveled throughout Italy and the snaps he took there were compiled into a compendium, Dolce Via. The series alludes to Fellini’s La Dolce Vita, a sensuous portrayal of Italian decadence, yet nonetheless, a compelling black and white film. As a contrast, the Sweet Way teems with bursts of color and sheds a pleasant light on leisure.

Looking through Dolce Via, it almost seems like he carefully curates the scenes. Instead, he just has a savvy eye for the casual verve of color that flows throughout the urban landscape. I really appreciate how the photos spontaneously highlight the beauty of simple moments and the ordinary.

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Jacqueline Sanchez ’20

Museum Trends: More Diverse Exhibitions

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Faith Ringgold (right) and Michele Wallace (left) in 1971. Image from the Huffington Post.

The first exhibition ever to showcase the work of exclusively black female artists was in 1971. Today the Brooklyn Museum is presenting We Wanted a Revolution: Black Radical Women: 1965-1985, a new exhibition about black women artists of that time period. Those who participated in a movement to increase the visibility of black women artists from the 1960s to the 1980s aligned themselves with the black arts movement over the women’s liberation movement, as the latter was mostly led by white, middle-class women. The exhibition includes works from 40 artists who aimed to show the implications of being a woman artist of color.

Female artists are vastly underrepresented in museums in general, but especially when they are also black, which is why exhibitions like the Brooklyn Museum’s are so important. Efforts to increase the number of women artists, especially women of color, is a topic of discussion at many institutions.

To learn more about the Brooklyn Museum’s exhibition, please visit: http://www.huffingtonpost.com/entry/14-extraordinary-black-women-artists-are-now-on-view-in-brooklyn_us_58fe540de4b00fa7de16bfb3?ir=Arts&ncid=tweetlnkushpmg00000030&section=us_arts.

To learn more about the lack of women artists in museum collections, please visit: https://www.apollo-magazine.com/inquiry-wall-flowers-women-historical-art-collections/.

Amy Shirer ’18

Gund Associate Team Spotlight: Curatorial

The Gund Associate Curatorial team is ending the spring semester with a bang by organizing one of the last exhibitions of the academic year, Zapatista: Imagery of the Peasant Revolutionary. A student-curated exhibit spearheaded by Curatorial Associate Leaders Jenna Wendler, Rose Bishop, and Natasha Siyumbwa, Zapatista focuses on Mexican folk-nationalist iconography in the early twentieth century and the social-political climate that fueled its development as a human rights movement. The Curatorial team also put together a student-curated exhibition earlier in the year, Black Women/Black Lives, where student leaders worked directly with art institutions and archives in Brooklyn, New York.

Museum Trends: Book Clubs in the Galleries

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A Toledo Museum of Art docent giving the book club a tour. Image from: https://www.finebooksmagazine.com/issue/1202/art-museums-1.phtml

The average museum visitor only spends seconds looking at a work of art, so joining a book club is an effective way to really analyze a specific piece or an entire gallery. Art museums around the nation are either forming their own book clubs, or bringing existing clubs into the galleries. After reading the text, members discuss it with a museum guide, and then view an exhibition or collection associated with the book. Book lists vary depending on the museum, but certain lists contain everything from artist biographies to fiction to classic literature.

Certain museums, like the Cincinnati Museum of Art, have even teamed up with their local public libraries to promote both art and reading. As an English Major, Art History minor, I am all for this museum trend.

To learn more, please visit: https://www.finebooksmagazine.com/issue/1202/art-museums-1.phtml.

Amy Shirer ’18

 

Favorite Contemporary Artist: Njideka Akunyili Crosby

Born and raised in Nigeria, artist Njideka Akunyili Crosby currently lives and works in America.  Her art is often a combination of collage, painting, photo transfers, and drawing.  In her work, Akunyili Crosby often depicts scenes of everyday domestic life, such as scenes in living rooms and bedrooms, which are reminiscent of our own lives in America.  Yet in those universal scenes, Akunyili Crosby also pays homage to her Nigerian heritage by layering her photographs of Nigerian culture, Nigerian magazine images, and wedding album photos in the backgrounds of her art.   Her juxtaposition of domestic scenes with intimate images (via photo transfers) chronicles her identity as a Nigerian woman living in America and disputes the all too common stereotype of an “authentic African.”  Through her work, Akunyili Crosby reconciles the complexity in her sense of “home” and belonging as both Nigeria, her birthplace, and America, where she lives now, are both home to her.  Although extremely personal, her work is relatable and accessible to many others, such as immigrants or international students, who have left their original home for America.  Lastly, Akunyili Crosby references classical art, as evidenced in her realistic painting and compositions, yet through photo transfers and the collaging of fabric, she alludes to Nigerian culture and tradition.  Her ability to draw on her personal experiences to create art that speaks to a wider audience is something I greatly admire.

Check out her website to see her portfolio:

http://njidekaakunyili.com/

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Caroline Chang ‘18